| Another View - The SD14 |
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| Written by Julian Ashborn | |
| Tuesday, 11 March 2008 | |
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Member Julian Ashborn gives us his verdict on the SD14
The Camera The Sigma SD14 is a camera for enthusiasts whose primary interest is potential image quality. It is bereft of scene modes and other such gimmickry, focusing instead on clear logical controls and an intuitive operation, supported by above average build quality. However, it has every facility necessary to capture images under a wide variety of conditions, providing flexibility for the enthusiast to be as creative as they feel they would like to be. In using the SD14 for the first time, one immediately feels that this is a camera designed and built by enthusiasts for enthusiasts. It is clear that a great deal of thought has gone into every detail of design and, wherever inevitable compromises have been made to manage production costs, these have been well considered. Indeed, if enthusiasts could design their own perfect camera, I suspect that many would find their designs remarkably similar to the Sigma SD14. It is a camera which easily distinguishes itself from the herd of marketing lead designs. Build and Features The SD14 is undoubtedly one of the most pleasing cameras from an operational perspective. However, it is in areas of image quality where the camera really shines and distinguishes itself, even from more costly designs. The Foveon sensor does indeed provide some unique and very worthwhile characteristics. There is a solidity to images which is immediately apparent, together with a natural vibrancy of colour rendition which reminds one more of high quality film images. Furthermore, there appears to be an extended dynamic range compared with the majority of cameras in this sector, providing an uncommon level of detail and a range of tones which will delight the enthusiast. This inherent capability may be fully exploited via the excellent Photo Pro software supplied with the camera. adjustment of both resolution and compression. Subjectively, Photo Pro may appear a little sluggish at times and one wonders whether a future revision might make better use of the multi-threading capabilities of contemporary computer processors. However, the results speak for themselves and quickly dispel any such concerns. Many consider the SD14 as primarily a RAW format camera and, indeed, its predecessors were purely RAW format devices. These days, JPG is also supported and the quality of in camera JPG processing is actually very good. Many users will be more than happy to shoot in JPG and will certainly not be disappointed with the results. However, it is the superlative quality of the SD14's RAW imagery which is particularly addictive and, in combination with the Photo Pro software, provides the enthusiast with an effective electronic darkroom from which they may produce outstanding images. This is the Sigma concept of digital photography, and it works brilliantly. In combination with a comprehensive range of quality lenses, the enthusiast has everything he needs to remain in the vanguard of photographic art. Verdict In conclusion, the Sigma SD14 is unusual in today's world of marketing lead, throw-away consumerism. It is a carefully conceived product which is well constructed and in which owners may take pride. It's facilities and functionality are aligned with the creative, enthusiast photographer rather than simply providing point and shoot automation. In this respect, it may truly be regarded as an advanced imaging tool which will suit amateur and professional alike. It is undoubtedly the sort of unique product which will attract loyal supporters and, I venture to suggest, they will not be disappointed.
(Editors note: My thanks to Julian for contributing this article. Visit his website here) |
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| Last Updated ( Friday, 13 June 2008 ) |
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